Process for Pale Lord:
So as you can see, I started the piece by scribbling out a rough figure on my cintiq, which I don't always do. Sometimes I prefer to block in big shapes first. Next, I took a photo and began messing it up (much like the typical Craig Mullins' speedpainting technique) to force out interesting random shapes and values. After that, it was just a matter of adjusting and tweaking until I started seeing a desirable structure. I then worked on value, added some color, and then refined until I was reasonably satisfied.